This is the main difference between the two words, namely, cinematographer and director. As you can see, a cinematographer is just the person who is in charge of a part of the work in a movie while the director is the person who is in charge of all the work in a movie. A cinematographer is the head of the camera and lighting crew of a movie. A cinematographer directs the photography to be employed in the film or the movie. He directs the other photographers too including the assistant photographer.
Hence, he is otherwise called as the director of photography. When it comes to interacting with the actors, a cinematographer has not much to do with the actors. He shoots the movie, and he is very much concerned about the various locations where the actors perform their work.
He is choosy about the background and the backdrop. Camera operators should be more than familiar with the camera equipment used during production to best meet the vision of the DP and director. The camera operator takes instructions from both the director and DP and relays them to the camera crew, creating a plan of execution that uses technical skill and style to get the shot needed. Aspiring DPs usually attend film school or major in a field related to film.
From there they might find work as an apprentice with a camera crew where they learn the duties of an assistant camera operator and work with the lighting department. This kind of shooting makes the lighting and camera framing extremely restricted. In dramatic content cameras are usually placed along the same angle, one shooting wide while the other shoots close-up. Usually the cameras are placed up to 30 degrees apart, thus allowing the lighting and framing to become more artistic and unencumbered.
At times one camera can be placed at a 90 degree angle to the other, but only when the blocking, lighting and set decorations allows for this, otherwise in the editing there will be matching problems. Good, Fast or Cheap — pick any two. One of the most important things that everyone needs to understand is that there is no such thing as a quick shot. Every good shot requires lighting adjustments, focus marks and a rehearsal.
Sometimes very little may need to be adjusted, but that should never be expected or relied on. The entire crew is working hard to make this film as best as it can be, so they need to take the time needed to do it right. Part of being professional and gaining the respect of the crew and cast is deciding what will work best for the story and committing to it. Please note: This action will also remove this member from your connections and send a report to the site admin.
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Student Feedback. School Feedback. Central Film School. Catsnake: The Story Agency. VOD Clickstream. Press Coverage. Industry Feedback. About Stephen. Which term is used more widely? How many cinematographers shoot multiple movies? Do cinematographers play well with other cinematographers? Comments 3 comments. Nic Morris. April 23, at pm. Marcus CF. Tinnerholm, Assoc FSF.
September 9, at pm. July 27, at pm.
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