There was no tension between Foreman and House, like there was with Cuddy, bad acting by foreman - no presence. Chase was indifferent and too old to be an acolyte, so was the short guy and the Chinese girl, who was actually pretty irritating and not in a love to hate her kind of way, but in a bad acting, no chemistry, kind of way.
The short whiney doctor was tedious. It's a shame about series 8, but it was worth watching for the occasional moment of ingenious dialogue and crazy antics, all of them involving the lead character.
The tension was gone though compared to previous years. In previous years there was the odd duff episode, but in this series there was the odd good episode in relative mediocrity. All in all though, seasons 1 to 6 were really entertaining, with the original team being the best, in terms of chemistry. For the finale, it was a failed attempt, with the presence of previous cast members reminding us that the show was well past its hey day. The best finale was the one with the bus, that was superb.
And the finale of the first series, where House rips open a patient with a saw, - seeing the reaction of his team - priceless. There was nothing much here that moved me, intellectually or emotionally.
Jim-Eadon May 23, FAQ 2. Where exactly was that last scene in that last episode shot, the one with the metal bridge leading to the highway where House and Wilson ride off? I'd love to visit it sometime. How was the last scene of the last episode filmed? Details Edit. Release date May 21, United States. United States.
Technical specs Edit. Runtime 44 minutes. Contribute to this page Suggest an edit or add missing content. Edit page. House: You're dead too. Kutner: The fire isn't. House: Cullen's sign. But the ultrasound showed air as well as blood. Now, I know what you're thinking. Hemorrhagic pancreatitis.
But I also know what I'm thinking. Doesn't explain the pneumoperitoneum. Adams: You took a new case? Park: You ran tests yourself? House: I saw the chance to help someone in need, and I instinctively — Oh, no, wait, that was someone else's instinct. Taub: Wilson is dying. Your parole officer is probably on his way here right now.
How are you possibly in a good mood? House: Did you never see Dead Poets Society? Carpe diem. Kutner: You were looking at six months of prison instead of five months of Wilson. Why happy? House: Obviously I had a plan.
Kutner: Obviously, obviously you had a plan. The more interesting question is why you didn't tell the team. I think it's because part of you knew from the start that the plan wouldn't work. Amber: Stop being an idiot.
House: Can I have Kutner back, please? Amber: People do it all the time. And like it or not, you are a person. House: He said every one of those things.
Amber: But not then and not like that. This guy was going nuts from the naloxone. He couldn't be rational if you wanted him to be, which you did. House: I compressed the story a little— Amber: Context matters. You never talk to patients for non-diagnostic reasons, but this guy…. Amber: When you solve a puzzle, the world makes sense, and everything feels right. And you'll always have another one, because people always get sick. It's shallow and it's insignificant, but if you don't give a damn if idiots live, why would you possibly give a damn about shallowness?
It makes you happy. And why would you need more than that? Go home. Wilson: You're not saying anything, which means he didn't specifically mention suicide, but you came out here to talk to us, so he must have said something that worries you. Nolan: There are other ways of reaching oblivion. Wilson: Vicodin?
Foreman: He always has his Vicodin. There's no reason to call a shri— His last patient was a heroin addict.
Nolan: So I guess we're all done here. Wilson: Wait! House: You want the fries back? Wilson: I'm not gonna take the fall.
House: Don't do this to me, Wilson. This is our only option. Wilson: Exactly, because you overplayed your hand with Foreman, because you knew you had me as a backstop. Even with me dying, you-you just assumed I'd be here to bail you out. House: Since you're here, and you are bailing me out, it seems like a pretty safe assumption. Wilson: Hey! I won't be here soon. If I do this, I'm teaching you that your bad behavior will always be rewarded.
You need to learn— House: How to act when you're gone? Wilson: You'll just try to find someone else, and it won't work, and it shouldn't work! House: So that's the great wisdom you're imparting? That I'll always be alone? Wilson: There's only one person you can count on. House: I thought there were two. Wilson: I need to do this… for you. House: Is this hell? An eternity of people trying to convince me to live? Cameron: Who says I'm here to convince you to live?
House: You're the last one I thought would hate me. Cameron: I don't hate you. I love you. House: And yet you think I deserve to die. Cameron: But not as a punishment. As a reward. I think… you've suffered enough. You've given enough. I think you deserve a chance to just… give up. House: Like Wilson did? So Wilson was stunned when House texted him during his eulogy -- the funeral is where almost everyone else who was still alive made their appearances, except for Cuddy. The series ended with the two of them literally riding off into the great unknown, determined to live it up during Wilson's final five months of life.
A fitting end? Critics seem mixed, with E! TV Replay scours the vast television landscape to find the most interesting, amusing, and, on a good day, amazing moments, and delivers them right to your browser. News U. Politics Joe Biden Congress Extremism. Stacy suggests that since Wilson has always served as House's conscience, he's never had to develop one of his own.
Stacey tells her ex the difficult truth: "You'll be better off without him. Wilson, it turns out, is more of a crutch than his famous cane. There's another switch-up as Sela Ward is swapped out for Jennifer Morrison, and while one might expect the notoriously emotional and sensitive Cameron to be a soothing presence, she's essentially the devil on House's shoulder, convincing him to lay down and be consumed by the flames that are now dangerously close.
However, confronted by his own cowardice, House emerges from his stupor and finally utters three words we never thought we'd hear him say, let alone mean: "I can change. But it's too late - the flame-consumed building explodes and House is seemingly killed, just as Wilson and Foreman arrive on the scene. This writer's original, expletive-filled reaction to this moment has been redacted for reasons of decency!
Unfortunately, following this high, it's here that the wheels start to come off of 'Everybody Dies'. Yes, House has faked his own death - utterly ridiculous but given the character's original Sherlockian inspiration, not without precedent, we suppose.
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